A recent GH boardroom meeting:
Phelps: “I want to thank everyone for
coming. We have a special guest today, so I’ll turn the meeting over to
him. Mr. Frons....”
Frons: “Thanks Jill. As you know with the
return of Rick Springfield to the cast, and the subsequent ratings
spike, we will be bringing back other GH veterans as well. Bob, Bob. Are
you with me on this?”
Pratt nudges a sleeping Guza awake.
Guza: “Right Brian. I totally agree.”
Phelps: “Brian, I have a question. With
the return of those veterans, will we be going back to an older format?
For instance, does this mean that the executive producer will direct the
show’s content, and make hiring and firing decisions again?”
Frons: “No Jill. We’re not going to make
any drastic changes, just shift our focus a little. You’ll continue to
work behind the scenes, and hopefully stay out of trouble. You know the
writers have enough problems without the money people getting involved.”
Frons: “The next thing I’d like to talk
about is Chuck’s new pilot, and recognize a job well done. I think it’s
safe to say that this is probably a done deal Chuck considering the
success of Desperate Housewives. Congratulations. I think this one just
might be your ticket to prime time.”
Pratt: “Thanks Brian.”
Guza: “Chuck’s leaving? I’m going to need
a new writing partner Brian.”
Frons: “Don’t worry Bob. We’re on top of
it. In the meantime, the network thought it might be helpful for you and
some of the writers to see a counselor. There seems to be some
reluctance from the writing staff regarding story development for the
returning vets, and the network is adamant that the mob not be at the
forefront of every story. You know Bob, this might take some thinking
outside the box.”
Guza: “These new ideas take a little
getting used to Brian. You know how old habits die hard, but I’m game.
When do we start?”
Frons: “Right now Bob. I’ve asked Ms.
King here today just for that purpose.”
Guza: “Kent’s an actress Brian, not a
therapist.”
Frons: “I think we can all agree that
therapists aren’t cheap Bob, and with our current budget constraints,
we’ve had to make some compromises. Kent’s done an amazing job with her
role, and mostly because of the background research she did preparing
for it. Her assistance in this matter exemplifies not only what a team
player she is, but also solidifies her commitment to making her
character even more credible. It’s a win-win situation Bob.”
Guza: “Well, let’s get to it then.”
King: “Sure Bob. Follow me.”
Ms. King shows Guza to a nearby
office.
King: “Have a seat Bob. I guess we should
get right down to business. Let’s start with your childhood. Did you
like your parents?”
Guza: “I don’t like to talk about my
childhood Kent. Everyone knows I was put up for adoption. What does that
have to do with anything anyhow?”
King: “Just thought it might be helpful
to know where you’re coming from. How about we try something else?”
Ms. King reaches in her briefcase and
pulls out several Rorschach tests.
King: “I just love these. Have you ever
done Rorschach tests Bob?”
Guza: “I don’t think so.”
King: “It’s easy. All you have to do is
tell me the first thing that pops into your head when I show you the
inkblot. Here’s the first one.”
Guza: “I don’t know. Maybe blood
splattered on a sidewalk?”
King: “And this one?”
Guza: “That’s what a dead body looks like
after it’s been dumped in the river a couple of weeks.”
King: “What about this one?”
Guza: “Flying debris from a bomb
explosion.”
King: “This doesn't seem to be getting us
anywhere, but let's try one more. How about this one Bob?”
Guza: “Ziti.”
King: “Interesting. Maybe some free
association might help. Do you know what that is Bob?”
Guza: “Kind of like the Rorschach test
only with words?”
King: “Very good Bob. Let me think a
minute. OK, I’ve got it. Happiness.”
Guza: “Cataclysmic event.”
King: “Fun.”
Guza: “Torture.”
King: “Love.”
Guza: “Mayhem.”
King: “Dark.”
.
Guza: “Darker.”
King: “History.”
Guza: “Sorry, I’m drawing a blank on that
one.”
King: “Well, that's all the time I have
for today Bob, but I think this is probably going to take a few more
sessions. Can we meet again next week?”
Guza: “Do I have a choice?”
King: “Not really. Can you send another
writer in on your way out?”
Guza: "Sure."
By: Charlotte |